The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the "reeling and rocking" of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock's sexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock 'n' roll music.

Dug, along with his sidekick Hognob, unite a cavemen tribe to save their hidden valley from being spoiled and, all together as a team, to face the menace of a mysterious and mighty enemy, on the turf of an ancient and sacred sport.

A sitcom set in a small pub in Manchester, “The Grapes”, where daily life is bound up in the issues of love, loneliness, and blocked urinals. Regular drinkers Joe and Duffy pass the time with landlord Ken and his police officer cronies.

Gary Hobson thinks he may even be losing his mind when tomorrow's newspaper mysteriously arrives today giving him a disconcerting look into the future. What will he do with tomorrow's news?

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Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?